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We will also look at some of the things that will help make your program look better and more accessible to users. We will examine the math behind musical concepts like transposing music by some interval and adding chord tones to a root note.
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MIDI (Musical Instrument Digital Interface).These two programs will be the basis of future projects related to composition and performance. We will also write a program that allows your MIDI keyboard to function as a synthesizer. The program will have the ability to change a number of musical variables including timbre, velocity, and tempo.
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We will create a program that randomly generates pitches at a specified tempo. 17 Introduces elements of algorithmic composition.1 Covers the basic tools of operation and navigation in Max as well as an introduction to the basic ways to work with data.Printed in the United States of America on acid-free paper No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine VietnamĬopyright © 2011 by Oxford University Press Published by Oxford University Press, Inc. Max/MSP/Jitter for Music A Practical Guide to Developing Interactive Music Systems for Education and Moreġ Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education.